THE ESTATE OF DAVID SMITH

333 HUDSON STREET, Suite 902
NEW YORK NY 10013
PHONE: 212.627.4452 - FAX: 646.349.1622
EMAIL: info@davidsmithestate.org

Recent, Current & Future Exhibitions

"The Fields of David Smith," an essay by Candida N. Smith

"Lost" Sculptures
We are seeking to contact the owners of these works of art for the revised David Smith Catalogue Raisonné


 


Recent, Current & Future Exhibitions

To view larger images of the art works and additional information, click on the highlighted texts below.


"David Smith, Working Surface: Drawing, Painting, Sculpture, 1932-1963," Galerie Gmurzynska, St. Moritz, Switzerland, February 12-April 2010
Working Surface highlights Smith's transcendance of the traditional boundaries between media and celebrates his mastery of color, texture, and surface in over thirty works that span his entire career. Fully-illustrated catalogue. See related videos on Dida's Circle on a Fungus and Circles Intercepted..
Construction, 1932 Steel Drawing II, 1945-52 Personage from Stove City, 1946
Circles Intercepted, 1961 Dida's Circle on a Fungus, 1961
Study for Personage from Stove City, 1946 Untitled, 1949 Untitled, 1962
Untitled (Virgin Island Relief, 1932 Five Units Unequal, 1958 Untitled, 1958

"David Smith Don Quixote," Craig F. Starr Gallery, New York, February 19-April 3, 2010
The exhibition comprises ten drawings and six lithographs, some with additional hand-colorig, created in 1952 and 1954, inspired by the theme of Cervantes' great hero. Fully-illustrated catalogue with essay. Link to Starr Gallery.

Don Quixote, State II, 1952

"David Smith," Gagosian Gallery (West 24th St.), New York, February 26-April 10, 2010
Five masterworks from the 1960s, shown together for the first time. Fully illustrated catalogue. Link to Gagosian Gallery.

Voltri XVII, 1962
VB XVII, 1963
Cubi II, 1963
Primo Piano III, 1962
Gondola II, 1964

"Julio González/ David Smith," IVAM (Instituto Valenciano de Arte Moderno), Centro Julio González, Valencia, Spain, January 20-May 1, 2011
By creating a dialogue between the works of these two great "masters of the torch," this exhibition of over 75 works explores González's and Smith's shared interest in the formal and expressive interplay between material and process, abstraction and figuration, and the poetic qualities of positive and negative space.

A fully-illustrated, multi-author catalogue in English, Spanish and Valencian will be published in conjunction with the exhibition.
González, The Lovers I, c. 1932-33
Smith, Saw Head, 1933

"Cubes and Anarchy: Geometry in David Smith,"Los Angeles County Museum of Art, April-July 2011
This exhibition will consider geometry throughout Smith's oeuvre--both as a formal and a thematic construct--and explore the relationship between his enduring interest in the utopian optimism of the constructivist avant-garde and his self-constructed artistic identity. Over 50 sculptures will be presented, along with drawings, paintings, and vintage photographs by the artist. A fully-illustrated, scholarly catalogue will be published.
Suspended Cube, 1938
Cubi XXVIII, 1965

"Bouquet of Concaves: David Smith Invents," The Phillips Collection, Washington, D.C., Summer 2011
This focus exhibition features Smith's painted steel sculpture, Bouquet of Concaves, a recent gift to the Phillips Collection by Gifford and Joann Phillips, and related sculptures and drawings from public and private collections. Fully-illustrated catalogue.
Bouquet of Concaves, 1959
Photograph by David Smith

"Maverick Modernists: John Graham, Stuart Davis, Arshile Gorky, Willem de Kooning, and Their Circle," Santa Barbara Museum of Art, September 4-November 30, 2011
The exhibition brings together works from the late 1920s to the early 1940s by David Smith and other painters and sculptors to explore Graham's influence on the development of early American modernism. Organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts; travels to the Neuberger Museum of Art, Purchase, New York (January 15-April 15), Amon Carter Museum, Fort Worth (June 9-August 19) and Addison Gallery of American Art (September 21-December 31, 2012). Exhibition catalogue, with essays by guest curators Karen Wilkin, William C. Agee and Irving Sandler, to be published by Yale University Press.
Untitled, 1930
Construction, 1932
Chain Head, 1933
Structure of Arches, 1933


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